The inspiration · 38 seconds
A show built an industry before.
A cruise ship, a television show, and the industry it created — then the industry still waiting for its show. Until now.
Our Media
In the Trenches · New episode
Mount Sicker: Turning Wasteland Into Parkland
In the Trenches · Episode one · 6:44
Mount Sicker: Turning Wasteland Into Parkland
Pete Smith and Sasquatch Resources at Mount Sicker — recovering what's valuable, restoring what matters.
Episodes & films
More episodes are being recorded now — new films land here as they drop.
The mission
Mining finally has a show.
A television show built an entire industry once before. This is mining’s turn. The short film says it in under a minute; the trailer beside it shows the series in motion.
Official trailer
Hunting Hidden Treasures
The Yukon rediscovered — the official trailer from the Mining Our Future channel.
01 · Flagship docuseriesView the pilot ↓
Hunting Hidden Treasures
The cinematic engine follows prospectors still searching, builders bringing projects toward production and operators who have already made a mine real. The mine is not the only destination; the hunt itself is the story.
The hookRisk, discovery and the people willing to chase what may be underground.
The settingOn location across the American West, from working mines to early-stage ground.
The payoffFollow the material beyond the gate into the world it helps build.
02 · Leadership profile
Talking Hidden Treasures
Before the field visit, meet the head treasure hunter. A focused conversation turns a technical company story into a human one: the conviction, the turning point and the life’s work behind the project.
20–30 minutesEnough room for the leader’s real story, without drifting into a technical presentation.
The formatA sit-down interview with the head treasure hunter, cut with footage from the ground they work.
EvergreenA durable profile viewers can discover anytime — before, during and after the hunt airs.
03 · Current field report
In the Trenches
The project update without thirty minutes of grams-per-ton jargon. Each episode asks where the company is going, what changed and what its treasure-hunting activity looks like right now—positive, difficult or somewhere in between.
4–5 minutesDirect enough for a quick watch and substantial enough to understand the move.
RepeatableA consistent check-in rhythm lets the audience follow progress instead of seeing one isolated announcement.
PlainspokenThe technical facts stay intact, but the public never has to decode a news release.
04 · Thought-leader conversations
Earth to Industry
The mine is the opening chapter, not the final page. These conversations trace cobalt, copper, lithium and other materials from the ground into power systems, factories, vehicles, infrastructure and the devices people use every day.
Ground to gridEvery conversation follows a real supply-chain connection.
Beyond miningGuests can include technology leaders, manufacturers and anyone whose work begins with mined material.
Beyond the gateWhere mined material goes next — into the grid, the factory and the phone in your hand.
Where it started
Gold rush 2.0. Dawson City.
The full pilot episode — forty-five minutes, start to finish. The hunt on the ground in Dawson City, where the legend began.
Dawson City made the Klondike a legend. Today the Yukon is one of the premier mining jurisdictions on earth — and the hunt is back on. Shawn Ryan of White Gold Corp and Peter Tallman of Klondike Gold Corp lead an epic treasure-hunting expedition through the ground where history happened.
Eight chapters: the discovery that started it all, the country that swallowed a stampede, and the modern hunt for what’s still hidden beneath it. This is Hunting Hidden Treasures.
Pilot episode · 45 minutes
Rediscovering the Yukon
The treasure hunters, the ground, and the story — Dawson City’s gold rush, then and now.
One episode in the can. The American West is next.
The network
The network.
We don’t build an audience and hope the right people are in it. We build backwards — start with the story, and the people hunting that story find us.
- 01
The story
Pick the ground. Silver in Peru. Gold in Nevada. Copper in Arizona. Every story starts with a metal, a place — and somebody already hunting it.
- 02
The audience
Every story has its hunters: the investor, the geologist, the deal-maker already searching for exactly that story.
- 03
They find us
The episode, the field report, the Pulse brief — built to be found, and placed where the hunt is already happening.
- 04
The conversation
So the story lands with exactly the people hunting for it. They came looking for the story we told.
The Andes silver hunt
Silver hunters following Peru's historic belts — the ground Peruvian Metals works.
—Watching this story
The Comstock, again
Gold hunters tracking Nevada's second gold rush — Mackay Gold & Silver's Comstock ground.
—Watching this story
Porphyry country
Copper hunters watching Arizona's copper districts — Faraday Copper's ground among them.
—Watching this story
The Valley
Silver hunters who know the Valley's names by heart — Bunker Hill and its neighbours.
—Watching this story
Historic districts
Gold hunters working Montana's storied camps — and the ground still giving up colour around them.
—Watching this story
Bingham Canyon
Copper hunters watching the biggest copper ground in America — Rio Tinto's Kennecott.
—Watching this story
—Audience reach
—Stories in market
—Countries watching
—Metals tracked
The network isn’t a list. It’s on demand — as deep as the story goes.
The editorial promise
Entertainment first. Truth intact.
Start with the person
A project becomes understandable when the audience meets the people taking the risk and doing the work.
Show the evidence
Real operations, real ground and real context carry more weight than a stack of claims.
Keep the tension
Setbacks, uncertainty and difficult decisions belong in the story. The hunt matters because the outcome is not guaranteed.
Follow the material
The audience should leave knowing what the material becomes and why the physical world depends on it.